Posted on November 30, 2011 by

Untapped Cities writes about Here Now project:

"The Spatial Information Lab at Columbia University has a new project which measures how people vote with their feet by using Foursquare and Facebook check-ins. The exhibit, entitled Here: Now Social Media and the Psychological City, is currently on display at Columbia University’s  Avery Hall.  Sarah Williams, the co-director of the lab, and her team analyzed two weeks of check-in data pulled from Foursquare and Facebook API to explore how people communicate their thoughts and preferences on locations in New York City. What’s unique about this analysis is that it links psychological information about the city with hard statistical and spatial analysis. Using urban planning tools such as GIS, the exhibit  re-purposes and visualizes where people are at a given place in time and what they are saying about it."

Read more.

Posted on August 23, 2011 by Laura Kurgan

In 2011, a version of Exits opened at the Museum of Modern Art in New York as part of their "Talk to Me" exhibition.

See http://www.moma.org/visit/calendar/exhibitions/1080   for a description of the exhibition.

And see http://www.moma.org/interactives/exhibitions/2011/talktome/ for the amazing website designed by Stamen.

Posted on June 23, 2011 by

"Commissioned by the Fondation Cartier pour l'art contemporain, in Paris as part of a 2008 exhibition entitled Terre Natale and realised by a stellar team of architects, designers and programmers, Exit is a testimony to the political power of design. It was conceived to illustrate curator and cultural theorist Paul Virilio's belief that "humanity is now defined by migration". Through a series of six panoramic data-visualisation narratives displayed over the course of forty-five minutes on a round screen, the installation "quantifies both voluntary and forced movement across the globe due to political, economic and environmental factors". In one instance, a glowing map of the world is projected onto the walls, with blooms of light indicating relative responsibility for carbon emissions aggregated by population density; in another, remittances (money sent back by a migrant labourer to his or her nation of origin) are tracked by country, demonstrating that in some nations total remittances received exceed foreign aid. The design of the theatre and installation was such that viewers were literally wrapped in a universe of information, transmitting a sense of both global scale and immediacy that is lacking when these facts are presented through the usual media channels."

Read more.

Posted on October 1, 2009 by Laura Kurgan

Laura Kurgan spoke at the 2009 Pop Tech Conference. 

She presented the Million Dollar Blocks project as well as Exitin a talk titled "Human Geographies."

Watch the video here: http://poptech.org/popcasts/laura_kurgan_human_geographies

 

Posted on August 23, 2009 by Laura Kurgan

Exits, a exhibition with Diller Scofidio and Renfro, Mark Hansen, Laura Kurgan and Ben Rubin in collaboration with Stewart Smith and Robert Gerard Pietrusko, originally exhibited at the Cartier Foundation in Paris, traveled to the Kunsthal Charlottenborg in Copenhagen during the COP15, the exhibition Native Land, Stop Eject will be presented from May 18—August 1, 2010 as part of the opening of a new cultural centre in Spain, the AlhondigaBilbao.

Posted on March 1, 2009 by Laura Kurgan

The Atlantic published an article by Laura Kurgan on SIDL's work in New Orleans:

"Hurricane Katrina Displaced hundreds of thousands of New Orleans residents; as they’ve returned, their struggles to remake their lives and communities have been well chronicled. But smaller waves of displacement, followed by straggling return, have been washing through the city, largely unremarked, for many years. In 2003, upwards of 12,000 New Orleans–area residents left the city for prison; more than half were expected to return home within three years. This destructive cycle, interrupted by the storm, is slowly reasserting itself. 

Nationwide, an estimated two-thirds of the people who leave prison are rearrested within three years. A disproportionate number of them come from a few urban neighborhoods in big cities. Many states spend more than $1 million a year to incarcerate the residents of single blocks or small neighborhoods."

Read more.

Posted on September 14, 2008 by Spatial Information Design Lab

"The exhibition Into the Open highlights America's rich history of architectural experimentation and explores the original ways architects today are working collaboratively to invigorate community activism and environmental policy. 

In the absence of large-scale public infrastructure projects in the United States, local initiatives are becoming laboratories for generating new forms of sociability and civic engagement. These new community-minded architects are questioning traditional definitions of practice by conducting unique research into the socio-economic challenges and environmental rifts that define our times. They are going beyond building-- defining architecture not just as a physical infrastructure, but also as a social relationship. 

Into the Open debuted as the official United States representation at the 2008 Venice Biennale, where it offered international audiences insight into the ways America's architects are reinventing public space. Critics noted the exhibition's unusually sober assessment of the challenges America faces, as well as the inspired attempts by grassroots architects to mitigate these conflicts. In presenting the architects featured in this exhibition in Venice, New York, and finally Philadelphia, where the American experiment began, we underscore the power that intellectual entrepreneurs can have in enacting positive change. 

Currently on display in Philadelphia, the projects featured in the exhibition are divided between the National Constitution Center, Independence Mall, and the Slought Foundation on the campus of the University of Pennsylvania. Additionally, off-site community programming is being presented in partnership with local organizations. At the National Constitution Center you will encounter eight of the sixteen projects, including Estudio Teddy Cruz's 89-foot photo-narrative of the U.S.-Mexico border and Alice Water's model Edible Schoolyard outside on Independence Mall. Immersive, bold, and interactive, the intention of this exhibition is to inform and provoke--but commentary and participation are essential. We hope that the ideas presented in this exhibition prompt discussion in your own communities, adding yet another layer to the mix: your thoughts, your voice."

See more: http://intotheopen.org

Venues: 

National Constitution Center 
Slought Foundation 
July 15 through September 7, 2009 

Parsons The New School for Design, 
Sheila C. Johnson Design Center 
March 4 through May 1, 2009 

The U.S. Pavilion for La Biennale di Venezia, 
11th International Architecture Exhibition 
September 14 through November 23, 2008

Posted on August 23, 2008 by Laura Kurgan

Architecture and Justice on view at MoMA, New York as part of an exhibition curated by Paola Antonelli.

http://www.moma.org/interactives/exhibitions/2008/elasticmind/#/14/

 

Posted on August 8, 2008 by Spatial Information Design Lab

Architecture and Justice featured in MoMA's Design and the Elastic Mind exhibition, on view from February 24-May 12, 2008: 

"Over the past twenty-five years, people have weathered dramatic changes in their experience of time, space, matter, and identity. Individuals cope daily with a multitude of changes in scale and pace—working across several time zones, traveling with relative ease between satellite maps and nanoscale images, and being inundated with information. Adaptability is an ancestral distinction of intelligence, but today’s instant variations in rhythm call for something stronger: elasticity, the product of adaptability plus acceleration. Design and the Elastic Mind explores the reciprocal relationship between science and design in the contemporary world by bringing together design objects and concepts that marry the most advanced scientific research with attentive consideration of human limitations, habits, and aspirations. The exhibition highlights designers’ ability to grasp momentous changes in technology, science, and history—changes that demand or reflect major adjustments in human behavior—and translate them into objects that people can actually understand and use. This Web site presents over three hundred of these works, including fifty projects that are not featured in the gallery exhibition. " 

Read more. 

Posted on February 22, 2008 by

Sewell Chan reviews "Design and the Elastic Mind," a new MoMA exhibition which features Architecture and Justice

"Several works in “Design and the Elastic Mind,” an exhibition that opens at the Museum of Modern Art on Sunday, offer intriguing and unexpected perspectives on New York. A team at the Massachusetts Institute of Technology has mapped the international phone calls and Internet traffic that connect the city with countries around the world, showing, for example, just how often Queens immigrants are on the phone back home with India. A design lab at Columbia University has traced the costs of incarceration in poor minority neighborhoods, demonstrating that taxpayers in some cases pay $1 million a year to imprison inmates from a single Brooklyn block.

In a review published today in The Times, Nicolai Ouroussoff writes that the exhibition “makes the case that through the mechanism of design, scientific advances of the last decade have at least opened the way to unexpected visual pleasures.” Several of the works are of particular interest to people who care about the future of cities."

Read more at: 

http://cityroom.blogs.nytimes.com/2008/02/22/new-york-and-the-vanguard-of-digital-design/?hp